Showing posts with label Chris. Show all posts
Showing posts with label Chris. Show all posts

Sunday, September 18, 2011

The Definitive SF Works of Chris Foss: exclusive preview

Foss Front Lr

Titan Books gave me permission to present samples from the new art book, The Definitive SF Works of Chris Foss. It's available in a standard edition for $21.14, and a special edition for $75 that comes in a slipcase with an alternate cover, an extra 8-page cover gallery and a signed Chris Foss print in an envelope.

Foss’s groundbreaking and distinctive science ?ction art revolutionized paperback covers in the 1970s and 80s.  Dramatically raising the bar for realism and invention, his trademark battle-weary spacecraft, dramatic alien landscapes and crumbling brutalist architecture irrevocably changed the aesthetic of science ?ction art and cinema.

Featuring work for books by Isaac Asimov, E. E. ‘Doc’ Smith, Arthur C. Clarke, A. E. Van Vogt and Philip K. Dick, and ?lm design for Ridley Scott and Stanley Kubrick, this volume brings together many rare and classic images that have never been seen or reprinted before. The ?rst comprehensive retrospective of Chris Foss’s SF career.

All images © Chris Foss courtesy ChrisFossArt.com

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Wednesday, August 31, 2011

Chris Reccardi paintings in Australia

Sorry, I could not read the content fromt this page.

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“Cinematic journalism” for mobile devices, from Chris Colin and others


[video link]

The Atavist is a platform for publishing and selling short nonfiction, what they call "cinematic journalism," for mobile devices. The full pieces are $2.99/each for iOS devices (with Android coming soon) and stripped-down versions for the Kindle are $1.99. It'll be interesting to see how this model plays out as a way to support longform feature writing on subjects that the writers are passionate about. Right now, there are around ten original stories available on The Atavist. The most recent is Chris Colin's "Blindsight." I just read an excerpt over at The Atlantic and I am hooked. Here's how Chris describes it:

The story takes place in Hollywood, and it starts out simple and movie-like: A producer is driving to dinner with his wife, one evening in 1994. She mentions something about her boss, and these turn out to be her last words. Without giving anything away, the story involves horrific tragedy, a Rip Van Winkle-like hibernation, impossible turns of fate, a killer at large. Miraculous medical oddness. Otherworldly powers. Time itself rearranged.
"Blindsight" by Chris Colin

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